TREATMENT ROOM
22nd & 29th May 2025
After the popularity of our Short Film Surgery in March, we are dedicating 2 days in May to offer lower-priced consults on your next screenwriting idea.
Most writers wait until they’ve completed a draft before receiving feedback, but getting input at the idea stage is invaluable. Not only will it help you focus on the most compelling and potentially commercial elements of your concept, it’s also an opportunity to refine the stakes, get clarity on the character arcs and to evaluate whether the material has sufficient narrative stretch to sustain a feature film or original TV series.
If you have a 2-3 page treatment on your feature, TV concept or short film, then book one of our limited 45 minute feedback sessions via zoom for just £50.
How it works
The Script Factory’s Treatment Room will take place on Thursday 22nd & Thursday 29th May 2025.
This is a limited offer. Our £50 slots are only available on these days. Treatments must be no longer than 3 pages maximum (in 12pt font please!).
If you have a screen idea that you’d like to discuss with us, please select one of the available time slots and email charlotte@scriptfactory.co.uk to book. We will issue you with an invoice via Stripe and your slot will be confirmed once payment is made.
We will need your treatment 3 days in advance of your meeting so that we can read it carefully and prepare our feedback.
A zoom link will then be sent to you and we are very happy for the meeting to be recorded. (Please note that if you’d like a recording, you will need to ask us to record once the meeting starts).
THURSDAY 22ND MAY
Times available: 8.00am, 9.00am, 10.00 am, 11.00am, 12noon, 4.00pm, 5.00pm, 6.00pm.
THURSDAY 29TH MAY
Times available: 8.00am, 9.00am, 11.00am, 12noon, 2.00pm, 3.00pm, 4.00pm, 5.00pm, 6.00pm
If you have any further questions please email charlotte@scriptfactory.co.uk
“Working with Charlotte on MARION was nothing short of transformational for the project. Her attention to detail and ear for story not only helped shape the script but also the film’s style and mood. She was fundamental in helping us find the heartbeat of what we wanted to say and how we wanted to say it.
Charlotte always knows when to ask the right question and how to ask it. She steers and guides the script with sensitivity and nuance. Her dedication to MARION made us feel incredibly lucky to have her as part of the team. If anyone wants to level up their writing they need to work with Charlotte.”
Finn Constantine & Joe Weiland, BAFTA nominated for MARION
“I worked with Justine on two narrative projects and both became exponentially stronger thanks to her input. Her approach strikes the perfect balance between detailed notes and big picture discussions.
Whilst she's able to forensically explore the nuts and bolts of how a story functions, she always keeps an eye on the filmmaker's intention and lets this inform any discussion points or ideas she presents. She is also adept at planting a seed about where a story might go, making it feel like an exciting possibility rather than a scary upheaval. I would undoubtedly work with her again and believe she would be an asset to any production.”
Lewis Rose, Award-winning Filmmaker
“It was a pleasure to be supported by Justine Hart on my short film script. In each session it was clear she’d taken the time to not only read each draft but had given it, the story and my individual voice full consideration. Her script notes are a writer's dream striking a balance between being positive, encouraging and confirming what areas to improve. Justine has definitely helped me become a better writer who’s now more confident to tell a story and brave enough to celebrate my own unique voice.”
Eva Edo, Playwright & Screenwriter